If you’re looking to improve your melodic soloing skills, then this lesson is for you! By the end of this video, you’ll be able to create melodic solos using triads on the B-G-D strings. Also, you’ll learn how to connect these chord tones in a meaningful way! Let’s get started!
In this video, you’ll learn to find basic chord tones by thinking in triads on the B-G-D strings. This works over any chord progression. By adding those sweet chord tones to your guitar solos, you’ll sound more melodic, and the listener will feel the harmony of your song better.
Concepts that are present in this video: chord tones, triads, visualizing on the guitar neck, melodic phrasing, anticipation, rhythmic motifs & embellishments.
I sincerely hope that this 2nd lesson will provide you with some guitar inspiration for your own melodic guitar playing. If you like the content, make sure you subscribe & give the video a thumbs up. That does help the channel. Thanks a lot for your support!
Playing a melodic solo with chord triads shows you the best notes to aim for in your phrasing. In this example (bar 11 of the solo), the melody first aims for the C (half step bend up from the 12th fret on the B-string). On beat 3, the melody goes for the D on the 15th fret of the B-string. Both notes are part of the underlying chord triads.
If you’re interested, I offer a high-quality version (CD-remaster) of this guitar jam track that you can use in your Youtube/Soundcloud/Instagram/Social media videos:
Dark, intense ballad rock guitar backing track in A minor. Play along with this melancholic guitar jam track on a rainy day. Tempo: 66 bpm. Download the chord chart that lays out the basis harmony below.
On this backing track you can play:
After a short acoustic intro, the A-section (verse) follows a dreamy, ambient chord progression in the key of A minor. In this section, you can use A minor pentatonic, A minor blues, or E Aeolian.
In the denser B-section of the jam track, heavy distortion guitars and hard rock drums enter to amplify the dramatic mood. You can continue improvising with the A minor pentatonic, but watch out for the E7 chord (that has a G#). This chord comes from A harmonic minor.
To write this track, I felt inspired by the work of God Is An Astronaut, Porcupine Tree, and even Anathema. This was another fun exercise in songwriting for me. I hope this jam track will inspire you to play screaming guitar solos,
Thank you for watching and playing along, Check out some other backing tracks (jam tracks) on my channel.
Twin backing track (Sunset Jam) here
Keep on playing,
Maarten.
P.S.: I’m quite happy with the way the cover art (video thumbnail) turned out. Featured is my Martin HD-16 R Adirondack and an AKG C3000B mic I lended from a friend (thank you Bart!).